A response to Joshua Eyler’s question letter B:
“B. What does this poem have to say about the many different facets of nostalgia?”
It’s significant that Miniver Cheevy is called by the speaker in this poem a “child of scorn” (1). The first stanza provides a possible reason in that Cheevy “assailed the seasons,” seasons here coming with all kinds of possible interpretations: years, weather, habits, the general hard necessities that whittle at the body and the mind (including drink). Is there a relationship between the tendency to be nostalgic and the idea of scorn? In Robinson’s poem, scorn is self-directed. Is Cheevy disdainful of himself, thus wishing he’d been born a “Medici”?