Now that iPhone has potentially settled the issue of reading and navigating with a generous small screen via touch, it might be good to think about to how to write, design, and export Storyspace, Tinderbox, and other hypertext environment experiences to these and other devices. Peter Brantley reports, in a different context, on the popularity of short-form downloads onto mobiles in Japan, so we know the habit can grow.
I had the opportunity to play with the iPhone a few days ago and in manipulating images it suddenly struck me that the interaction surface of the device will be an amazing place for which to write and design alphabetic and icon-based material. The screen is rich and the size is deceivingly huge and like a book it has an intimate feel. And there have been rare times when I wanted to turn my laptop screen to get a better view of something. There much more to say here, perhaps even the context that Peter Brantley goes into in his piece on reading.
The screen starts with “The” . . .
The user turns the screen to landscape mode and “The” fades and the word “Abrasion” appears creating the potential for an interesting sequence of experiences. Stretch text comes with a separation of the fingers. Reading spaces are tailored for small screen manipulation and experience.
What about poetry? Scroll, tap a link or an arrow, turn the device. Shaking, Wii-like, could scatter or rearrange the stanzas, or not.
This is not a post about quality fiction or poetry, but it encourages serious approaches the reader/writer environment.
Just a Note: I never trusted a Harry Potter effect. I’m hearing a lot about that. Again. The key to less and less novel reading will be about abundance. There’s no scarcity of things to read nor a presumptive “value” to any one form. I always considered reading pretty tough work, anyway, not something associated with pleasure.